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PINK AND SAY

A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)

Pub Date: Sept. 15, 1994

ISBN: 0-399-22671-0

Page Count: 48

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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KNIGHT OWL AND EARLY BIRD

From the Knight Owl series , Vol. 2

An immersive, charming read and convincing proof again that even small bodies can house stout hearts.

Can knightly deeds bring together a feathered odd couple who are on opposite daily schedules?

Having won over a dragon (and millions of fans) in the Caldecott Honor–winning Knight Owl (2022), the fierce yet impossibly cute nocturnal, armor-clad owlet faces a new challenge—sleep deprivation—in the wake of taking on Early Bird, a trainee who rises with the sun and chatters interminably: “I made pancakes! Do you like pancakes? I love pancakes! Where’s the syrup?” It’s enough to test the patience of even the knightliest of owls, and eventually Knight Owl explodes in anger. But although Early Bird is even smaller than her mentor, she turns out to be just as determined to achieve knighthood. After he tells her to leave, she acquits herself so nobly in a climactic encounter with a pack of wolves that she earns a place at the castle. Denise proves a dab hand at depicting genuinely slinky, scary wolves as well as slipping cheerfully anachronistic newspapers and other sight gags into his realistically wrought medieval settings to underscore the tale’s tongue-in-cheek tone. Better yet, a final view of the doughty duo sitting down together to a lavish pancake breakfast/dinner at dusk ends the episode in a sweet rush of syrup and bonhomie.

An immersive, charming read and convincing proof again that even small bodies can house stout hearts. (Picture book. 5-8)

Pub Date: Oct. 15, 2024

ISBN: 9780316564526

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Nov. 5, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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