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THE BEE TREE

Surely Grampa, slouched cozily between bookcase and stove, isn't tired of reading, but Mary Ellen is—and Grampa has the perfect diversion: he catches a few bees in the garden, then frees them, one by one, so the two can trail them to their tree. In cumulative style, several colorful neighbors ("Einar Tundevold"; ' 'Klondike' Bertha Fitchworth"; "Feduciary Longdrop" and his goats) join them; together, they smoke out the bees, wrap comb honey in the clean diapers of Baby Sylvester (who has come along with his mom), and go home for tea, biscuits, and honey, as well as "tall tales and raucous laughter as they all buzzed about the sweet adventure of that day." The illustrations set these cheery goings-on back when some folks in Michigan still wore clothes from the old country (and diapers were routinely boiled!); as is her wont, Polacco uses bold areas of white, swatches of bright patterning, and creative perspectives with unusual energy and good humor. In the end, Grampa also has a unique way to sweeten Mary Ellen's book. Another charming piece of Americana from an artist of rare warmth and originality. (Picture book. 4-8)

Pub Date: April 21, 1993

ISBN: 0-399-21965-X

Page Count: 32

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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