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THE WAYWARD GENTLEMAN

JOHN THEOPHILUS POTTER & THE SMOCK ALLEY THEATRE

A spirited historical novel marked by humor, intrigue and entertainment.

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An 18th-century “gentleman player” fights, loves and charms his way through Ireland in Watkins’ (The Wayward Gentleman: John Theophilus Potter & The Town of Haverfordwest, 2012, etc.) delightful ode to the theater.

John Theophilus Potter (“Theo” to his many friends and admirers) is blessed with exuberance, height, swordsmanship, and such good looks that noblewomen can’t help but try to seduce him. He also has a quality that proves to be both a blessing and an impediment: He’s a skilled actor, equally adept at performing dramatic roles (Hamlet, Romeo) and comedic ones (the drunkard Trinculo in The Tempest). He becomes enamored with the theater as a precocious child growing up on a country estate outside Dublin, where he’s raised to be a gentleman. In 18th-century Ireland, however, propriety forbade gentlemen from performing onstage, a custom gradually being reversed by the likes of Thomas Sheridan—a real actor who features prominently in Theo’s story. (Theophilus Potter was apparently a real person, too, although biographical details of his life are scant.) Theo’s battles against the prejudices of the time lead to some of the book’s adventures, while others are the consequences of uncertain parentage, insane acquaintances, temporary blindness, vindictive women, villainous Trinity students, and the petty jealousies and small catastrophes that affect an acting troupe. The novel’s plot is as restless as its protagonist, resulting in a compelling narrative with a few hastily introduced and dropped characters and storylines. Like the picaresque novels this one emulates, Watkins’ story isn’t too concerned with psychology; readers know little about Theo’s internal state, beyond an occasional reference to nightmares or the “residual emotional problems” caused by, for instance, his near-murder at the hands of his best friend. But it is nonetheless a vivid historical envisioning, with insightful observations about playacting in everyday life and memorable anecdotes about life in the theater. In particular, costuming mishaps inform several buoyant episodes.

A spirited historical novel marked by humor, intrigue and entertainment. 

Pub Date: Dec. 9, 2012

ISBN: 978-0957210479

Page Count: 322

Publisher: Down Design Publications

Review Posted Online: Dec. 9, 2013

Kirkus Reviews Issue: Feb. 15, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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