THE GOTHICA

Forced from their home by invading Huns, Visigoths navigate a volatile relationship with the Roman Empire in this historical novel set in the fourth century.

When the Huns cross the Dniester River, the barrier that divides the Visigoth and Ostrogoth communities, they leave destruction in their wake, raping and pillaging without restraint. More than 100,000 Goths flee their homes, hoping to seek refuge under the protection of the Eastern Roman Empire. But the Romans see them as “uncivilized barbarians” and receive them ungenerously, disarming them and letting them starve. During a fragile peace between the Visigoths and the Romans, Alaric, a “rash and reckless” young man who lost his father to the Hun invasion, becomes a new recruit for the Roman army and establishes himself as a brave military leader with a gift for strategy, an ascendancy thrillingly portrayed by DiCarlo. When Emperor Theodosius dies and is replaced by the young Arcadius, Alaric sees a unique opportunity for the Visigoths to assert their independence, and he rises to become their first king: “I do know the Roman way. I know it well. The Romans respond only to strength. We have now an opportunity. The East is weak. We should not wait for the young emperor to become a man.” The entire novel is an impressive display of historical scholarship, notable for its painstaking exactitude and breadth. The author authentically captures the perspectives of the Goths as well as the viewpoints of their Roman and Hun adversaries. Furthermore, DiCarlo constructs a captivating drama that reveals the culture of the Visigoths in all its complexity, a depiction brimming with nuance. This is precisely what historical fiction should provide: a seamless amalgam of scholarly rigor and dramatic power, a reading experience both educational and riveting.

A gripping, meticulous, and illuminating tale of war and intrigue.