The successful mix of suspense and romance combines with unexpected twists to keep readers engrossed from the start and...
Best-selling author Carman launches a new series in a dystopian civilization that has its roots in today’s United States.
It’s 2051, and global warming has wreaked havoc around the world. Most of America’s remaining population has moved into one of the two remaining States, where life is stringently controlled and people are kept amused by whatever latest entertainment is available on their ever-present Tablets. Outside the States, life is freer, but even there, kids like Faith Daniels still have to go to school, despite shrinking student populations. On her own, she clings to her friendship with Liz while wondering what it would be like to have a boyfriend like Wade Quinn. She soon finds out that both Wade and his sister Clara are dangerous. When Liz and her family move into the Western State, Faith is even more alone, except for Hawk, a genius hacker, and Dylan, who can not only move things with his mind, but ward off almost all threats to his body. Faith has this extra “pulse” as well…if only Dylan can train her to use it in time. The third-person narration shifts from one character’s perspective to another in short, colloquial chapters, keeping the pace swift from the beginning. Carman’s grounding of his dystopia in this recognizable near-future makes it highly believable.
The successful mix of suspense and romance combines with unexpected twists to keep readers engrossed from the start and begging for more. (Dystopian romance. 13 & up)Pub Date: Feb. 26, 2013
ISBN: 978-0-06-208576-4
Page Count: 384
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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