A well-placed critique of both an inept presidency and an uncritical media.
The award-winning British journalist analyzes and criticizes Donald Trump’s handling of wars in the Middle East and Asia.
Independent Middle East correspondent Cockburn opens as he closes, with an account of the assassination of Iranian military strategist and supposed terrorist Qasem Soleimani, which was followed by a declaration that the Islamic State had been defeated and by the abandonment of America’s Kurdish allies in Syria. The author considers Soleimani less a threat than the administration believed, though his killing provided a convenient martyr around whom Iran could plant a flag. There’s a schizophrenia at play here; writes Cockburn, “the US has always been keen to hide the degree to which it has been Iran’s de facto partner, as well as its rival, ever since Saddam Hussein…invaded Kuwait in 1990.” Many of Trump’s moves seem calculated to improve Iran’s standing in the region: “It does not take very much to destabilize Iraq and the signs are that Trump does not care if he does.” IS seems to be flourishing, mounting attacks on peace demonstrators in Turkey, blowing up a Moscow-bound airliner, attacking a mosque in Egypt, and detonating a suicide bomb beside a Pakistani polling place—“not to mention,” adds Cockburn, “the eight killed in the UK in 2017 after a van drove into pedestrians on London Bridge.” Cockburn gives Trump some credit for attempting to project American power less with military strength than with “commercial and economic” blandishments. He further reserves some of his critical asperity for journalists who are too willing to accept party lines, though he allows that a reporter in the field lacks the clout of the suits back home: “Usually, it is…the home office or media herd instinct that decides the story of the day.” Even so, his own reporting on the ground, interwoven into his narrative, proves the power of a well-informed and serious pen.
A well-placed critique of both an inept presidency and an uncritical media.Pub Date: July 7, 2020
ISBN: 978-1-83976-040-2
Page Count: 320
Publisher: Verso
Review Posted Online: May 25, 2020
Kirkus Reviews Issue: June 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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