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INTO THE TWILIGHT, ENDLESSLY GROUSING

Name: INTO THE TWILIGHT, ENDLESSLY GROUSING
Author: Patrick F. McManus
ISBN: 0-684-84440-0

by Patrick F. McManus ‧ RELEASE DATE: Oct. 1, 1997

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There are, we know, regular woodland verities: the cry of a loon across a lake, the bellow of an elk on a starlit mountain, and various other calls of nature. Add to the list of recurrent natural events the humorous essays of McManus (How I Got This Way, 1994, etc.), the resident clown/scholar of Outdoor Life. McManus is ably supported in his less-than-credible buffoonery and outdoor adventures by a long-running stock company of rubes, including Rancid Crabtree, Eddie Muldoon, and Retch Sweeney. His droll essays remain generally entertaining and slick, though there are some signs of immoderate literary heavy-lifting in his 13th collection. Mountain man Crabtree's hillbilly dialect seems to be thickening sufficiently to double for the vaudeville patois of Dogpatch. There are times when McManus's comic descriptions of hunting and fishing pratfalls seem forced. Readers may be surprised by the more wistful tone of some of the recent tales by our hayseed Hemingway. There is, for example, a sweet elegy on angling for the dream fish. The elegiac tone is most evident in McManus's reveries of his idyllic (if disaster-prone) childhood during the Depression. Judging by the recollections included here, one may reasonably surmise that his childhood resembled that of the ``Little Rascals,'' including a scrappy gang of friends and a nubile teacher with dimpled knees. Only rarely does Pat let a fact get in the way of his musings. One occasion: He was once hired as a university English instructor. That, he hastens to reassure us before we begin to take him too seriously, was ``solely on the basis that I smoked a pipe.'' It may be that after another dozen or so books like this, old Pat's cow won't milk any more. Meanwhile, more huntin' and fishin' country humor for old fans and new urban owners of utility vehicles. (Author tour)

Pub Date: Oct. 1, 1997

ISBN: 0-684-84440-0

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
CIRCLES IN THE SNOW
by Patrick F. McManus

- BOOK REVIEW
THE TAMARACK MURDERS
by Patrick F. McManus

- BOOK REVIEW
THE HORSE IN MY GARAGE AND OTHER STORIES
by Patrick F. McManus

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.