Three novellas by three Brits reminding us that the most ordinary-seeming people may lead lives of private drama. Bovine Brenda, the middle-aged spinster in Wakefield's (Lot's Wife, not reviewed) ``The Other Way,'' leaves her linoleum kitchen for a Tunisian holiday after winning the grand prize in a contest she had entered with the hope of winning the consolation appliance. Dowdy-by-day book editor Mary is a silk-stockinged mistress whose freedom and established habits are disrupted by her magnate lover's marriage proposal in ``Caesar's Wife'' by Gale (Kansas in August, 1988, etc.). Both ladies, for whom routine is a comfortable shoe, react dramatically to their new circumstances. Brenda flees her garish tour group for the quiet companionship of an aging homosexual gentleman and, in an odd maelstrom between otherwise comedic and contemplative pages, has a shocking epiphany. Mary panics and, with the help of her lover's gay, wheelchair-bound son, Josh (who is her close friend), cooks up a wacky scheme so she can have her cake and eat it too. The theme of secrecy applies to gays (featured with varying prominence in each story) as well as to misunderstood women. Homosexuality is most directly dealt with in the title story by King (Punishments, 1990, etc.), in which Brian, a closeted barrister, dies of AIDS, fearing to the end rejection from friends, family, and his beleaguered Japanese lover, Osamu. All three novellas are humorous and moving, but Gale's glows with a subtle polish the others lack. He's overcome the heavy-handed polemicism of his longer fiction and focused on telling the story, a fluid and wry tale. ``People aren't what you think they are,'' remarks Brenda's narrow sister. Nor are books, as Secret Lives proves: At arm's length, it's hodgepodge; up close, intricate patterns emerge.
Pub Date: July 1, 1994
ISBN: 1-85242-215-7
Page Count: 256
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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