A flat-out astonishing debut.
In this sci-fi debut, a team of neuroscientists exposes new capabilities in the brain that may steer human evolution toward miraculous—and deadly—frontiers.
Chuck Brenton, who has a Ph.D. in neuroscience, has been researching ways to harness the energy of the human brain for basic physical tasks. Ideally, his work would aid the handicapped or perhaps space and sea exploration. His data on gamma waves, however, is missing a baseline reading of the brain that would propel the research forward. When mathematician Matt Streegman contacts Chuck with key data from a deceased loved one’s EEG readout, the two quickly team up. They open a lab called Advanced Kinetics and soon have test subjects using their minds—via the Brenton-Kobayashi Kinetic Interface—to manipulate both computer software and construction equipment. But Matt and Chuck differ fundamentally on what kind of investors to take on: medical or commercial. Stronger-willed Matt wins out and finds himself courted by military interests. He keeps the involvement of Gen. Howard a secret from Chuck long enough to enmesh the company in complex, restrictive research, from which there’s no turning back. Yet Chuck and the test subjects—Mike, Sara, Mini, Lanfen and Tim—realize that military control of their work will lead to disaster. Luckily they have a few secrets of their own. Author Hemstreet has prepared a hard-science feast in his riveting, immensely satisfying debut. The science is always clearly stated, as are the corresponding metaphors, like one that sums up the neuroscientists’ take on burgeoning brain power: “You develop the muscles appropriate to the activity, and you learn how to use them most effectively”—essentially, “these people are…flexing mental muscles we didn’t know they had.” His characters are studies in pointed charisma, especially Matt, who’d like to “[kick] God in the teeth.” Audiences will fear for them as the plot subtly, horribly coils tighter. Ultimately, Hemstreet polishes his ideals regarding individuality and creative passion while bowing to the action/sci-fi formula. The result should be absolute bliss for fans of everything from Star Trek to X-Men. He writes a mean cliffhanger, too, one that hints at a sequel full of further narrative triumphs.
A flat-out astonishing debut.Pub Date: May 17, 2016
ISBN: 978-0-06-241950-7
Page Count: 400
Publisher: Harper Voyager
Review Posted Online: Sept. 23, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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