Crime fiction that gives chaos an entertaining ride.
After a cellphone containing "hot documents" that spell trouble for a legally embroiled New York bank gets pickpocketed, the corporate law firm representing the bank turns to a government fixer with serious CIA experience to limit the damage.
The mobile device contains texts, emails, and memos revealing that the Calcott Corporation has been illicitly funneling money to a shell company in Oman. Should that information become public, it would tip the scales of a federal law suit Calcott is defending following a failed merger. The phone was swiped—or made to look like it was swiped—from a young lawyer on the team representing Calcott. Faced with recovering the phone and dealing with the shady parties into whose hands it's fallen, Elizabeth Carlyle, the imposing but easily unnerved head of the firm, calls upon glamorous ex–CIA case officer Valencia Walker to save the day. A problem-solver of high repute, Valencia traces the phone to three hustling Jewish Russian brothers in Brooklyn. They're easily enough dealt with, but the same can't be said of their powerful Uncle Yakov, whom neither they nor Valencia want to rub the wrong way. But Yakov proves to be small-time compared to the hidden schemers at work here. An enjoyably hard-boiled yarn streaked with noir effects, Hoffman's follow-up to Every Man a Menace (2016) is a skillfully orchestrated effort that achieves its most outlandish effects with nifty understatement. It is a book of constantly moving parts and constantly moving vehicles, as characters race across New York City to avert disaster. Ultimately, the author is less concerned with the human cost—little feeling is attached to characters' deaths—than the long reach of corruption in the modern era.
Crime fiction that gives chaos an entertaining ride.Pub Date: June 2, 2020
ISBN: 978-0-8021-2953-6
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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