Crime fiction that gives chaos an entertaining ride.
After a cellphone containing "hot documents" that spell trouble for a legally embroiled New York bank gets pickpocketed, the corporate law firm representing the bank turns to a government fixer with serious CIA experience to limit the damage.
The mobile device contains texts, emails, and memos revealing that the Calcott Corporation has been illicitly funneling money to a shell company in Oman. Should that information become public, it would tip the scales of a federal law suit Calcott is defending following a failed merger. The phone was swiped—or made to look like it was swiped—from a young lawyer on the team representing Calcott. Faced with recovering the phone and dealing with the shady parties into whose hands it's fallen, Elizabeth Carlyle, the imposing but easily unnerved head of the firm, calls upon glamorous ex–CIA case officer Valencia Walker to save the day. A problem-solver of high repute, Valencia traces the phone to three hustling Jewish Russian brothers in Brooklyn. They're easily enough dealt with, but the same can't be said of their powerful Uncle Yakov, whom neither they nor Valencia want to rub the wrong way. But Yakov proves to be small-time compared to the hidden schemers at work here. An enjoyably hard-boiled yarn streaked with noir effects, Hoffman's follow-up to Every Man a Menace (2016) is a skillfully orchestrated effort that achieves its most outlandish effects with nifty understatement. It is a book of constantly moving parts and constantly moving vehicles, as characters race across New York City to avert disaster. Ultimately, the author is less concerned with the human cost—little feeling is attached to characters' deaths—than the long reach of corruption in the modern era.
Crime fiction that gives chaos an entertaining ride.Pub Date: June 2, 2020
ISBN: 978-0-8021-2953-6
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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