FEED THE WHITE WOLF

Lahey’s debut poetry collection follows the speaker’s lifelong struggles with depression, alcohol abuse, and loneliness.

This set’s works are most effective when the speaker discusses his friends, family, and childhood, as those subjects yield personal details, clear images, and a cohesive story. In “Pops,” for instance, the speaker shares memories of his father, “Skating on a pond with frogs, / Racing at the back of the trailers, / Reading the morning comics.” These images make the larger sentiments (“the best damn father a boy could have”) feel more meaningful. “The Wolf” points out “It really is simple: / The wolf you will be, / The black or the white, / The one that you feed,” while in “The White Wolf,” the speaker asserts: “The white wolf is me”—essentially, one who chooses to fight against his vices, instead of giving into them. This essential choice provides the collection’s central main theme. The poet often achieves the tone of a nursery rhyme in his works, which is disturbing and even haunting in the more hard-edged poems. On the other hand, some verses pay insufficient attention to detail; in “12,” for instance, the speaker broadly says, “I felt so alive and cool. / Little did I know, still a young boy, / That I was nothing but a naive fool,” which makes it difficult to actually visualize the boy. This collection might have been stronger if the speaker had shown how his emotions spurred him to action, instead of merely stating them, and allowed readers to witness his pain and suffering firsthand. In “Life,” the speaker relies on clichéd phrases (“Here one day / Gone the next”; “Life is too short”); these might have lingered with readers if the rest of the poems were stronger, instead of relying on vague, basic concepts of light and dark.

A sometimes-evocative but inconsistent set of poems.