An unexpectedly entertaining scholarly warning about fascism’s spread through imagery.
A lively investigation of the numerous connections among fascism, imagery, media, and politics.
Books about fascism are rarely unpredictable, and social science nonfiction is rarely a wild thrill ride. But when Nathan applies the style and imagination he demonstrated in his debut novel, Some Hell (2018), that’s what we get. Though the author is upfront about his lack of expertise with the mechanics of fascism and photographs, his originality of thought drives this impressive nonfiction debut. He leans on Susan Sontag and Bertrand Russell to make some points early on, but it’s the way he weaves together the deaths of Matthew Shepard, the Columbine High School massacre, and 9/11 with the rise of Donald Trump and Survivor that makes readers wonder what twist is coming next. “If Marilyn Manson played America’s antichrist, Trump seems to be it—the American monster par excellence,” Nathan writes. Not all his pronouncements hold up intellectually, as he sometimes exaggerates to make a convenient point—e.g., “the American fascist aesthetic is one of noise and merchandise…the aesthetic of resistance is no different—equally noisy and commodified, right down to the T-shirts, the slogans, and stupid tweets.” Nonetheless, readers will be fascinated as the author explains the importance of expressing ourselves visually through the origin of memes, the language of GIFs, and how it all fits together with the work of Homer and the power of representation. Nathan delivers deep thinking and clever turns of phrase in equally abundant amounts, making his history lesson and philosophical discussion a page-turning good time. Of course, the shadow of Trump looms large: “While the most visible aspect of this fascism is, without a doubt, an omnipresent, autocratic bigot whose every photograph and tweet and facial gesture is consumed and interpreted in myriad ways—a kind of image-meth scarcely anyone can stop using—to call Donald Trump this fascism’s alpha and omega is to give him too much credit.”
An unexpectedly entertaining scholarly warning about fascism’s spread through imagery.Pub Date: Aug. 17, 2021
ISBN: 978-1-64009-453-6
Page Count: 240
Publisher: Counterpoint
Review Posted Online: June 18, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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