A straightforward look at how music and hope can change the fate of an unmoored society.
Novelist Neate (City of Tiny Lights, 2005, etc.) and human-rights defender Platt celebrate the success of an influential musical organization.
Encouraged by José Junior, founder and executive coordinator of humanitarian movement AfroReggae, the authors traveled to Brazil in 2005 intent on writing about the group’s mission to mobilize citizens of Rio de Janeiro’s inner-city societies—mostly controlled by the drug trade—toward grassroots art and music. Neate and Platt found their rooftop terrace alive with noise from a neighboring favela, one of more than 600 exploited, heavily drug-trafficked, mixed-race shantytowns dotting the city’s landscape. As one of the more unique nongovernmental organizations (NGOs) currently in existence, AfroReggae is fronted by a core band along with 12 artistically creative “subgroups that include dance, theatre, and circus troupes; a samba school; and a reggae band.” Their members are mainly comprised of former drug dealers now intent on using music and education to redirect the lives of impressionable, at-risk adolescents. The authors include staggering statistics on violent deaths in Rio alongside a refreshing number of success stories of former drug traffickers who attest that their lives were saved by AfroReggae. Brazilian DJ Marlboro, “a household name in Brazil,” provides a funk-music history lesson, and the authors’ housekeeper Leida relates insightful stories and chilling updates on the dire situation in her village, Rocinha, where rival drug factions shoot to kill. In touring the favelas, Neate and Platt present their South-American locale as a place overtaken by unshakable drug factions, crumbling beneath an ineffective, three-tiered government and hard hit by widespread corruption, gang warfare and bloodshed. Yet their raw account shows a city incrementally redeemed as AfroReggae exerts its powerfully affirmative influence.
A straightforward look at how music and hope can change the fate of an unmoored society.Pub Date: March 1, 2010
ISBN: 978-0-14-311674-5
Page Count: 224
Publisher: Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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