AND THE OCEAN WAS OUR SKY

An ancient war draws to a climax as a vengeful—and literally hard-nosed—sea captain seeks out a demonic killer.

Ness (Release, 2017, etc.) mines Moby Dick for incidents and motifs, pitting men against whales in a futuristic alternate world. Along with telling the tale from a young whale’s point of view, he reverses the usual orientation of the universe so that cetacean crews go down to meet their enemies at the threshold where oceans give way to the deep, unknowable Abyss of air. In a conflict that has raged for millennia, both sides wield harpoons and store their savagely dismembered opponents in wooden hulls for transport. Having seen her own mother ambushed and torn to pieces, Bathsheba eagerly joins Capt. Alexandra, who bears the stub of a harpoon in her head, in ramming ships to splinters. But the reflective narrator catches profound glimpses of how destructive implacable mutual hatred can be to both body and soul as her captain’s obsessive search for the white ship of the universally feared Toby Wick leads through massacres and chancy encounters to a melodramatic confrontation. The story, though far shorter than its progenitor, conjures similar allegorical weight by pairing the narrative’s rolling cadences with powerful, shadowy illustrations featuring looming whales, an upside-down ship in full sail, and swarms of red-eyed sharks, all amid dense swirls of water and blood.

Wrenching, dark, and powerful—no fluke, considering its model.