A magical realist meditation on how to love and be possessed by love.
Award-winning YA author Ness (More than This, 2013, etc.) moves to literary fiction with a tale that unfolds after an arrow-pierced crane lands in a London garden.
George Duncan hears a wild keening and stumbles into his frigid garden to find the injured crane. George pulls the arrow from the crane’s wing. The bird flies away. Thus begins a meditation on love—for George, for his broken daughter, Amanda, and for mysterious Kumiko, who arrives at George’s print shop the next day. There’s symbolism here, with the narrative interspersed with Ness' reinterpretation of a Japanese folk tale about a woman born of clouds and a raging volcano. That tale becomes an allegory running parallel to the earth-bound story of love that fractures the heart and then remakes the soul. George has dabbled with artistic cuttings, forming images from discarded book pages. When Kumiko sees one, she asks to meld it into her art, abstract figures formed from feathers. The result stuns. Every cutting produced thereafter becomes the target of frenzied collectors. George is bemused. Kumiko, a mystery, cares not at all. George wants to possess her, to know her every secret. George is adrift, an American expat out of sync, divorced yet attached to his former wife, inept, too open, too giving in love, but George holds the story’s center, and raging around him is single-mother Amanda, unsettled after "two and a half decades of false starts." Other characters—Rachel, Amanda’s tightly wound co-worker; Mehmet, George’s fey shop assistant; Henri, Amanda’s ex-husband—are each "a fellow traveller across that baffling, hostile landscape" of life and love. Mired in neediness, George, knight errant, cannot grasp the truth of love or of Kumiko, ethereal queen, as she appears in reality, and in perception and memory, as lover and savior of George and Amanda in an amorphous denouement.
A magical realist meditation on how to love and be possessed by love.Pub Date: Jan. 27, 2014
ISBN: 978-1-59420-547-7
Page Count: 320
Publisher: Penguin Press
Review Posted Online: Nov. 24, 2013
Kirkus Reviews Issue: Dec. 15, 2013
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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