It’s all there. The wonderful language. The leisurely pace. The rich detail. There’s just no end. Readers will be left to...
A lovely and welcome oddity: the much-loved author’s final fragment, titled simply by its position in the canon.
Correctly deciding that it would be impossible if not sacrilegious to hire a writer to complete successfully a work no more than a quarter finished, thereby placing one of the 20th-century’s finest prose stylists among the ranks of the undead that populate the thriller and crime shelves in the bookstores, Norton has instead taken the high road and released this tantalizing beginning as O’Brian left it. What his devoted readers will find is a lightly edited printing of the typescript, each page faced by a photocopy of the manuscript page from which it had been transcribed, and then, when the typed pages stopped, the handwritten pages alone. The effect is tantalizing, touching, and powerful. The story takes up with newly minted Admiral Jack Aubrey and his bosom friend and colleague, scholar-spy Dr. Stephen Maturin, rounding Cape Horn on Surprise, headed for the mouth of the River Plate, where Aubrey is to transfer his flag to a new squadron headed for new assignments off the Cape of Good Hope. Days of superbly calm sailing take them to the Argentine republic where, thanks to murderous local political storms, their welcome is cool if not hostile, a situation eased splendidly by the arrival of the Papal Nuncio, a supremely charming African polyglot who is also Aubrey’s illegitimate son, the happy result of an ancient liaison. When the squadron at last arrives under the command of the windbaggy peer Lord Leyton, it brings trouble in the form of Maturin’s old Trinity classmate Randolph Miller, a scoundrel who is also Lord Leyton’s cousin. There is a Confrontation and a duel, and then all sail for Africa by way of St. Helena. And there the story stops, ending in a superb afterword by Richard Snow.
It’s all there. The wonderful language. The leisurely pace. The rich detail. There’s just no end. Readers will be left to their dreams.Pub Date: Oct. 18, 2004
ISBN: 0-393-06025-X
Page Count: 144
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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