When one of America's prized Nimitz Class carriers is lost with all hands and planes while on station in the Arabian Sea, Washington publicly accepts the catastrophe as a tragic mishap and secretly organizes an all-out hunt to bring those responsible to justice. In mid-2002, the USS Thomas Jefferson suddenly vanishes from the radar screens of the warships escorting it on a routine but dangerous patrol near the Persian Gulf. Aftershocks and radioactivity indicate that a nuclear blast has occurred. Appalled at the apparent vulnerability of the nation's most formidable weapon, the White House lets it be known that the giant vessel succumbed to an accidental detonation. Behind the scenes, however, the military/political complex mobilizes its intelligence-gathering resources to ascertain what really happened. Heading the probe is Lt. Cdr. Billy Baldridge, a world-class physicist whose brother was among the 6,000 to go down with the Jefferson. Proceeding from the premise that an inadvertent explosion was impossible, he soon determines that the carrier was atomized by a nuclear-tipped torpedo fired from a submarine. Although virtually all the world's undersea flotilla can be accounted for, the US President orders a clandestine assault on the three Kilo Class subs in drydock at Bandar Abbas, which Iran has acquired from the former USSR. In the meantime, Baldridge's to-the-ends-of-the-earth inquiries suggest the guilty party may be a matchless Israeli naval officer named Benjamin Adnam, now at the helm of a Russian sub once presumed lost in the Aegean. Adnam, it turns out, was an Iraqi plant on a doomsday mission on behalf of Saddam Hussein. While the West's operatives solve the basic puzzle, they must still deal with the intrepid Adnam and his crew, who remain at large with nuclear ordnance that threatens the mammoth flattops on which America and the world rely to keep the peace. A hell-and-high-water technothriller, and an impressive debut from British journalist Robinson. (First printing of 250,000; $325,000 ad/promo)
Pub Date: June 1, 1997
ISBN: 0-06-018755-7
Page Count: 432
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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