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THE WISE MAN'S FEAR

For latter-day D&D fans, a long-awaited moment. For the rest—well, maybe J.K. Rowling will write another book after all.

A walloping sword-and-sorcery fest from Rothfuss, the second volume in a projected trilogy (The Name of the Wind, 2007).

Readers of that debut—and if you weren’t a reader of the first volume, then none of the second will make any sense to you—will remember that its protagonist, Kvothe (rhymes with “quoth”), was an orphan with magical powers and, as the years rolled by, the ability to pull music out of the air and write “songs that make the minstrels weep.” The second volume finds him busily acquiring all kinds of knowledge to help his wizardly career along, for which reason he is in residence in a cool college burg, “barely more than a town, really,” that has other towns beat by a league in the arcane-knowledge department, to say nothing of cafés where you can talk elevated talk and drink “Veltish coffee and Vintish wine,” as good post-hobbits must. For one thing, the place has a direct line to a vast underground archive where pretty much everything that has ever been thought or imagined is catalogued; for another thing, anyone who is anyone in the world of eldritch studies comes by, which puts Kvothe in close proximity to the impossibly beautiful fairy Felurian, who makes hearts go flippity-flop and knows some pretty good tricks in the way of evading evil. Evil there is, and in abundance, but who cares if you’re dating such a cool creature? Rothfuss works all the well-worn conventions of the genre, with a shadow cloak here and a stinging sword there and lots of wizardry throughout, blending a thoroughly prosaic prose style with the heft-of-tome ambitions of a William T. Vollmann. This is a great big book indeed, but not much happens—which, to judge by the success of its predecessor, will faze readers not a whit.

For latter-day D&D fans, a long-awaited moment. For the rest—well, maybe J.K. Rowling will write another book after all.

Pub Date: March 1, 2011

ISBN: 978-0-7564-0473-4

Page Count: 1008

Publisher: DAW/Berkley

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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A DISCOVERY OF WITCHES

From the All Souls Trilogy series , Vol. 1

Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?

Harry Potter meets Lestat de Lioncourt. Throw in a time machine, and you’ve got just about everything you need for a full-kit fantasy.

The protagonist is a witch. Her beau is a vampire. If you accept the argument that we’ve seen entirely too many of both kinds of characters in contemporary fiction, then you’re not alone. Yet, though Harkness seems to be arriving very late to a party that one hopes will soon break up, her debut novel has its merits; she writes well, for one thing, and, as a historian at the University of Southern California, she has a scholarly bent that plays out effectively here. Indeed, her tale opens in a library—and not just any library, but the Bodleian at Oxford, pride of England and the world. Diana Bishop is both tenured scholar and witch, and when her book-fetcher hauls up a medieval treatise on alchemy with “a faint, iridescent shimmer that seemed to be escaping from between the pages,” she knows what to do with it. Unfortunately, the library is crammed with other witches, some of malevolent intent, and Diana soon finds that books can be dangerous propositions. She’s a bit of a geek, and not shy of bragging, either, as when she trumpets the fact that she has “a prodigious, photographic memory” and could read and write before any of the other children of the coven could. Yet she blossoms, as befits a bodice-ripper no matter how learned, once neckbiter and renowned geneticist Matthew Clairmont enters the scene. He’s a smoothy, that one, “used to being the only active participant in a conversation,” smart and goal-oriented, and a valuable ally in the great mantomachy that follows—and besides, he’s a pretty good kisser, too. “It’s a vampire thing,” he modestly avers.

Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?

Pub Date: Feb. 8, 2011

ISBN: 978-0-670-02241-0

Page Count: 592

Publisher: Viking

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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