A new talent in need of some honing.
Debut collection delineating the tribulations of boyhood, and how they define a man.
Set in Wisconsin, these ten stories feature an upper-Midwestern landscape’s deep snow drifts, acres of farmland and encroaching suburbs, which play a defining role in the characters’ lives. “Puberty” shows an adolescent finding both sexual enlightenment and retributive justice in a strategically planted climbing tree. In “Black Earth, Early Winter Morning,” a 16-year-old boy must reconsider all the advice his older cousin has given him about the value of country living when a tower of improperly stacked hay bales falls on his mentor. Dan Oxford, protagonist of “The Future, the Future, the Future,” has a wife, a good job, a child on the way and a 30-year mortgage locked in at a good rate; now that he’s achieved all the goals he set for himself in college, he decides to mark his accomplishment by skiing an expert slope he can’t handle. The collection features many action scenes, most of them well-written: a boy with his hands in his pockets cannot save himself from a disfiguring fall (“So Long, Anyway”); a drowning student disrupts a swimming class (“Crow Moon”); a widower on an emotional rampage caroms down a ski slope on a stolen sled (“The Cold War”). But sometimes the author pushes action to comic-book extremes, as in “English Cousin,” which shows a bully goading a boy to climb down a chimney and surprise two lovers (he gets stuck), or “Trouble and the Shadowy Deathblow,” narrated by a snack-food specialist who attends a convention in San Francisco, where a homeless man teaches him a killing maneuver. The most powerful stories here are more quietly observed. “The Train” is a vignette about a group of boys who visit an abandoned granary at midnight on Halloween. “The Whales” features the same characters walking at night to a park by a lonesome county highway.
A new talent in need of some honing.Pub Date: Sept. 12, 2006
ISBN: 0-307-27535-3
Page Count: 224
Publisher: Vintage
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2006
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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