With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.
Taylor (Fingal O’Reilly, Irish Doctor, 2013, etc.) reminds fans that even in the peaceable kingdom of County Antrim and County Down, good men shed blood when Hitler infected Europe.
Taylor moves back and forth between 1960s Northern Ireland and the wartime travails of 1939-40, with minor emergencies and mysterious illnesses at home and terrifying adventures at sea. In 1966, Dr. Fingal O’Reilly is married to his first love, Kitty, but the book’s passionate romance comes as Fingal recalls his wartime courtship of first wife Deirdre, a nurse midwife in training. Taylor’s gift is dialect (there’s a glossary)—“a shmall little minute to toast and butter the bramback”—and sentences end with “so” or “bye.” When the war starts, Fingal is assigned to the battleship HMS Warspite as medical officer. Covering Royal Navy battles at Westfjord in Norway and later in the Mediterranean off Italy, Taylor’s descriptive powers are as mighty as Warspite’s 15-inch naval rifles—“[h]e had to grab onto a handrail...the noise that surrounded him like an impenetrable wall and by its force seemed to be crushing his chest.” At Warspite’s new home port of Alexandria, Taylor offers a précis on the last days of the gin-and-tonic empire as world war washed over ancient Egypt. There, lonely Fingal is tempted with a love affair. As Warspite sails, characters step aboard, most compelling the medical detachment’s stalwart leader, Surgeon Cmdr. Wilcoxson, and Tom Laverty, ship’s navigator and father of Fingal’s future partner, each of whom support Fingal, wide-eyed country doctor, who shakily steps into operating theaters where emergency amputations and bloody trepanning are de rigueur. But Fingal's true domain is Ireland's green-drenched landscape, “coarse marram grass hillocks that lay between the glen and the shingly shore," with familiar Ballybucklebo characters like young partner Barry, medical student Jenny, and his newly married housekeeper, Kinky.
With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.Pub Date: Oct. 21, 2014
ISBN: 978-0-7653-3836-5
Page Count: 416
Publisher: Forge
Review Posted Online: Aug. 25, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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