Adheres scrupulously to the motto “first, do no harm.”
The latest of Taylor’s Irish Country Doctor series, this time a prequel depicting protagonist Fingal O’Reilly’s med-student days.
The extended flashback which takes up most of the book begins when Fingal, on his way home to Ballybucklebo, the Ulster village where he is a family doctor, stops at the scene of an accident: Donal Donnelly, Ballybucklebo’s lovable ne’er-do-well, has crashed his motor bike and suffered head trauma. While monitoring Donal’s condition at a nearby hospital, Fingal recalls his clinical training at Trinity College, serving indigent patients from Dublin’s slums. Fingal’s literature professor father was so opposed to Fingal’s chosen career that he refused to bankroll his son’s education, forcing Fingal to spend four years in the merchant marine to earn the tuition. His long-suffering mother, who’d dreamed of being a physician herself, encourages Fingal and eventually his father comes around. At school, Fingal weathers a series of scrapes in between pints of Guinness at the local pub with his three best friends. He ponders getting engaged to Kitty, a student nurse, but failing an exam is enough to convince him that he needs to forego romance for studying. Fingal raises some hackles because he sees his patients as people, not cases: he mourns when his first cardiac patient cannot be saved, and finds a job for an impoverished veteran whom he treated for pneumonia. When his father is diagnosed with leukemia, Fingal wonders if he will live long enough to see his son graduate. Although it will appeal to faithful followers of the series, this book suffers from a plodding pace and a lack of suspense. (There’s never any real question about whether Fingal will earn his degree, or whether he and Kitty will wind up together.) As with other volumes, the principal appeal is in the dialects, local color and, for fans of medical fiction, the detailed descriptions of diagnoses and treatment regimens, both present-day and pre–World War II.
Adheres scrupulously to the motto “first, do no harm.”Pub Date: Oct. 11, 2011
ISBN: 978-0-7653-2673-7
Page Count: 496
Publisher: Forge
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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