Nostalgia for a simpler time, plus an idyllic depiction of universal health coverage in action, may be the main appeal here.
Continuation of Taylor’s popular series about country doctors in the tiny Northern Irish town of Ballybucklebo, circa 1964.
At Number 1, Main Street, Ballybucklebo, Dr. Fingal O’Reilly still grapples with the symptoms of his motley group of patients and with the prickly mien of his imperious housekeeper, “Kinky” Kincaid. Kinky has even more to be testy about these days—she fears that Fingal’s new girlfriend, Kitty, may actually convince the long-widowed doctor to marry again, thus dethroning Kinky as domestic tyrant. O’Reilly’s young assistant Barry Laverty is reeling from a breakup with his lady love Patricia, who’s told him in no uncertain terms that life as a general practitioner’s wife in a backwater town is not for her. But what if Barry were to train in a specialty, say obstetrics/gynecology, for which he’s been told he has a flair? Not only would he no longer have to refer all his interesting diagnoses to Belfast for treatment, he might be able to entice Patricia to the altar if he practiced in the big city. The plot, such as it is (Taylor’s primary obsession appears to be the culture and dialect of Ulster province), revolves around these romantic concerns, as well as Fingal’s well-intentioned attempt to bail out working-class Ballybucklebo-ites. A few of the local pub crawlers have gotten themselves embroiled in the latest scheme of unscrupulous politician and real-estate mogul Bertie Bishop to separate them from their hard-earned shillings. It’s up to Fingal to figure out how the scam—featuring a crooked jockey and depreciating shares in a racehorse—operates before Bertie’s marks lose everything. Interspersed throughout, medical cases, described in suitably gruesome detail (a long-festering liver abscess being only one example), will satisfy the most voyeuristic armchair physician. Fear not—in the cozy world of Ballybucklebo, hearts may be on the line but lives seldom are.
Nostalgia for a simpler time, plus an idyllic depiction of universal health coverage in action, may be the main appeal here.Pub Date: Oct. 1, 2010
ISBN: 978-0-7653-2174-9
Page Count: 496
Publisher: Forge
Review Posted Online: Aug. 16, 2010
Kirkus Reviews Issue: Sept. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
