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PATRICK WHITE: LETTERS

A swarming and copious selection of letters by the Nobel Prizewinning novelist and playwright. ``My life is a series of blunders and recoveries and so it will be, I expect, till the end.'' Described by his biographer Marr (Patrick White: A Life, 1992) as ``a wise man who could be stubbornly wrong,'' White (191290) acquired the epistolary habit at age four or five, never to abandon it for long. His letters, by turns irascible and fond, cover a broad range of correspondents: from friends of his youth to literary people like Christina Stead and Shirley Hazzard to public figures like Ronald Reagan; White scathingly dismissed the president's Chinese diplomacy, savaged the American taste for ``celluloid, plastic, and decadence,'' and urged Reagan to ``[drop] out from time to time to contemplate problems which seem insoluble. Probably they will remain so.'' White wanted his friends to destroy the letters they received, but it's fortunate that not all complied with his wishes, for the fullness of this inadvertent self-portrait is nearly Shakespearean. The bluntness and sporadic cruelty of White mingles with a bold and outsize warmth that give the letters an epic feel without the usual affectations of the epic. His maverick, embattled nature guided him, and the letters tingle with it as they chronicle his early wanderings, wartime service in the Middle East and Africa, lifelong partnership with onetime Greek soldier Manoly Lascaris, and pattern of friendships won and forsworn. His love-hate relations with Australia were perhaps emblematic of his character, but so was a blitheness that led him to send thanks in 1940 to an American boyfriend: ``That little G-string you presented me with last year is a great help in a New York heat wave!'' Marr offers useful commentary; drawings of the craggy-faced novelist also lend a charm to these pages. A literary milestone.

Pub Date: June 1, 1996

ISBN: 0-226-89503-3

Page Count: 678

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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