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IRON CURTAIN

FROM STAGE TO COLD WAR

A strange corner of the Cold War explored, to fascinating result.

Mr. Gorbachev, tear down this metaphor!

In this leisurely, searching footnote to history, Wright (Institute for Cultural Analysis, Nottingham Trent Univ.; Tank: The Progress of a Monstrous War Machine, 2002, etc.) examines one of its little fibs and fudges: the authorship of the pregnant phrase “iron curtain.” Winston Churchill arrived in Fulton, Mo., on March 5, 1946, to give an address at Westminster College with Harry Truman, and there uttered the famous phrase, “From Stettin in the Baltic to Trieste in the Adriatic, an iron curtain has descended across the Continent.” That much is well-known; less documented is the outraged response to Churchill’s formulation in the same address that Britain and the United States had a special relationship likely to become more special once the two nations stood up to Josef Stalin and his empire-building ambitions. Churchill weathered a storm of criticism from left and right (and the French, who resented being left out), but in time that storm quieted. Five years later, a package arrived at Churchill’s door containing a copy of the American College Dictionary and a note from its editor asking whether the “iron curtain” phrase was Churchill’s own. The bulldog replied in the affirmative, and therein lies the nub and the rub: For, as Wright ably chronicles, Churchill acknowledged the existence of the very real iron curtain, a fire-suppressing fixture of Victorian theaters, while saying that he hadn’t heard of the phrase used before him in its metaphorical sense. Thus it is that many dictionaries today attribute authorship to Churchill. Wright chases the phrase down, finding it in use in the early 20th century among British wonks before the outbreak of World War I. It then shifted eastward to refer to the divisions between the Bolsheviks and the rest of Europe in the 1930s. Wright’s investigation concludes with late developments in the phrase and its ideological uses and abuses in the era of McCarthy, atom spies and spooks.

A strange corner of the Cold War explored, to fascinating result.

Pub Date: Oct. 1, 2007

ISBN: 978-0-19-923150-8

Page Count: 416

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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