by Patti Sherlock ‧ RELEASE DATE: May 1, 2004
Mark, 12, wants his brother to be safe in Vietnam, so when the news comes that big dogs could save lives, he considers sending his lovable Wolfie away. Misplaced guilt, pride, and bids for attention from parents and a cute girl motivate this semi-heartfelt sacrifice. How could his pro-military father be wrong? Mark’s factual sources are limited: his history teacher, who is usually helpful, is silenced by the school administration. A new voice comes in the form of letters from Wolfie’s handler, who chronicles the dog’s experiences. The Army’s treatment of dogs is not completely humane, so Mark tries to pressure Wolfie’s early release by organizing a parade, appearing on radio and TV, and encouraging his legislative representatives to help. Weak, unflattering, pro-war characters and strong, charming, anti-war characters guide Mark’s actions. The ’60s are back, with Mark in the middle of political mumbo jumbo and societal confusion mirrored in his nation, community, school, and family, but Sherlock skillfully navigates Mark through that turbulence, so his clear teenage voice deepens as his opinions and plan of action change. Politically correct for today. (Fiction 9-11)
Pub Date: May 1, 2004
ISBN: 0-670-03694-3
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
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BOOK REVIEW
by Candace Fleming ; illustrated by Mark Fearing ‧ RELEASE DATE: Sept. 26, 2017
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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BOOK REVIEW
by Candace Fleming ; illustrated by Deena So'Oteh
BOOK REVIEW
by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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