Ethereal spins of innocence and enchantment.
A slim, poetic memoir of Smith’s early years.
Originally published in 1992, this manuscript was handwritten on graph paper when Smith lived with her husband and children near Detroit during a time in which she experienced “a terrible and inexpressible melancholy.” Throughout, the author intersperses vignettes from childhood with black-and-white photos. The title stems from an exchange with an old man whom children feared; she forgot her question but remembers his answer: “They be the woolgatherers.” Smith writes, “I was not at all sure what a woolgatherer was but it sounded a worthy calling and seemed a good job for me. And so I kept watch [and]…wandered among them, through thistle and thorn, with no task more exceptional than to rescue a fleeting thought, as a tuft of wool, from the comb of the wind.” Ardent Smith fans may be enamored with her recollections, which range from mourning the family dog’s death to nebulous lines such as, “I drifted to a place that seemed more present than myself, sitting, dutifully sewing as my fingers let slip the thread and joined my mind, elsewhere." In verse, she writes, “Careful how you bare yer soul / Careful not to bare it all.” In a more concrete passage, she declares, “The only thing you can count on is change.” The writing elucidates, to some degree, Smith’s artistic path, with themes of ritualizing time and space rippling throughout. After saying prayers, Smith recounts, “on particularly wondrous nights…something would unzip and I’d be off to be among them [the woolgatherers]. I did not run, I’d glide—some feet above the grass. This was my secret ability—my crown.” This edition includes a new afterword, penned by Smith in 2020, that addresses the pandemic as it relates to restricted travel; she combats restlessness by journeying through memories.
Ethereal spins of innocence and enchantment.Pub Date: Oct. 5, 2021
ISBN: 978-0-8112-3125-1
Page Count: 112
Publisher: New Directions
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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