by Patty Brozo ; illustrated by Ana Ochoa ‧ RELEASE DATE: Dec. 4, 2018
Simplistic but heartfelt, earnest, and a discussion starter.
The concept of homelessness is brought down to the youngest child’s level.
It’s not until the third spread, after the newly arrived, plump, gray-haired woman has mowed a swath through town with her heavy bag, that readers get the first hint that Miss Pinkeltink may be homeless. She explains, “Sometimes it’s a blessing, sometimes it’s a curse, / but all that I have, I have in my purse.” Her heart’s in the right place; she searches her bag for bits and pieces to give to townspeople (though most are a little off, such as the comb she hands to a bald man). Finally the bag is empty save for the “pleasure her gifts could provide.” And then she beds down under a willow tree. Young Zoey sees her and enlists the townspeople to help. Seemingly the next day, the racially diverse people lead Miss Pinkeltink in a parade, gifting her various household goods just as she gifted them her small treasures, until they reach their destination: “Your purse needs a home.” The rhymes, the bright colors, the innocuous and eclectic items contained in the purse, and, most of all, Miss Pinkeltink’s sweet-old-lady demeanor and eccentric dress keep the tone of the book light and the protagonist from seeming pitiable. And though the solution may feel ludicrously easy to adult readers, this is a nonthreatening and simple introduction to the topic for young children who have no prior exposure to homelessness. No explanation is given for Miss Pinkeltink’s situation. Miss Pinkeltink is white, and Zoey has light brown skin and straight brown hair.
Simplistic but heartfelt, earnest, and a discussion starter. (Picture book. 3-7)Pub Date: Dec. 4, 2018
ISBN: 978-0-88448-626-8
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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BOOK REVIEW
by Patty Brozo ; illustrated by Mike Deas
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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More by Erin Guendelsberger
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
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