by Paul A., MD Offit ‧ RELEASE DATE: June 12, 2007
Makes a strong case that people get more excited by miraculous cures than by vaccines that save unseen multitudes by...
Comprehensive biography of the self-effacing, amazingly productive scientist who developed vaccines for measles, mumps, rubella, chicken pox, hepatitis A and B, pneumococcus, meningococcus and Haemophilus influenzae type b (HiB—a child killer).
Himself a co-developer of rotavirus vaccine that prevents a diarrheal disease in children, Offit (Pediatrics/Univ. of Pennsylvania) feels that recognition is long overdue for Maurice Hilleman. The author interviewed Hilleman not long before his death in 2005, following 48 years with pharmaceutical giant Merck. His biography focuses on the scientific career, which says it all: Hilleman had no hobbies, he worked himself and his staff hard (exercising a particularly hot and profane temper), sparing only times to be with wife and daughters. Indeed, the throat swabbings of one daughter provided the mumps virus used to develop one of Hilleman’s early successes. Offit does well in capturing the evolution of vaccine technology, from attenuating the virulence of live viruses by passage through other species’ tissues or cell cultures to genetic engineering tricks that induce bacteria to make the proteins needed to evoke an immune response. The author also revisits the reprehensible but once-accepted practice of testing vaccines (including Salk’s polio vaccine) on institutionalized mentally retarded children. Poor living conditions made these kids vulnerable to infections and hence likely to benefit from vaccines, argued researchers, who also tested themselves and their children. Bad press has plagued other vaccines. Fear of contamination with monkey viruses led to the use of pure fetal cells for growing virus, inciting the wrath of religious groups. More recently, a hullabaloo was raised by claims that inoculation with the one-shot measles, mumps, rubella vaccine (another Hilleman triumph) causes autism. Offit dismisses such claims, pointing to the bad science—and bad scientists—responsible while lamenting the harm done.
Makes a strong case that people get more excited by miraculous cures than by vaccines that save unseen multitudes by preventing disease in the first place.Pub Date: June 12, 2007
ISBN: 978-0-06-122795-0
Page Count: 272
Publisher: Smithsonian/Collins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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