A thoroughly amusing collection that takes readers beyond the big top.
An episodic memoir from the founder of the Big Apple Circus, a New York City mainstay of family entertainment for almost 40 years.
Brooklyn-born Binder has lived a colorful and creative life, from stints working for Merv Griffin and Julia Child, to his time as a juggler traveling through Europe, to his life’s greatest work: founding the Big Apple Circus. The book jumps around to hit various key moments in his life, including the moment he first saw the Macy’s Thanksgiving Day Parade, the beginning of his jaunt to England to form a juggling act with a friend, and meeting his wife, a beautiful Danish equestrienne and circus performer. The cast of characters includes world-renowned clowns, jugglers, acrobats and other international performers, as well as the technicians and trainers who put the nuts and bolts of such an epic show together. Binder has a knack for language, which shouldn’t be a surprise considering how many years he has spent as a ringmaster and entertainer, juggling words, as well as objects, for his audiences. Some of the insider tales and snippets are a little more mundane than magical; not everyone is going to find a random rainy day or an encounter with a waitress in a small Southern town as interesting and amusing as Binder clearly does. For every dud, however, there are twice as many gems, such as the exciting post–Tiananmen Square drama that led the circus’ Chinese acrobats, who were afraid of being forced to return to their troubled homeland, to run away, bringing the attentions of government agencies and embassies to the Big Apple Circus. With a loving foreword by Glenn Close and celebrity cameos from Robert DeNiro, Robin Williams, Paul Newman and many more, these stories make it easy to see why Binder is a beloved, respected figure in the world of the circus.
A thoroughly amusing collection that takes readers beyond the big top.Pub Date: April 18, 2013
ISBN: 978-1481731911
Page Count: 216
Publisher: AuthorHouse
Review Posted Online: Aug. 19, 2013
Review Program: Kirkus Indie
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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