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BEING HUMAN. HUMAN BEING.

A wildly entertaining SF adventure about the life-changing (and world-altering) power of love.

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Black’s masterfully constructed SF novel begins as a quirky story about a man dating an extraterrestrial and expands into a grand-scale narrative of alien invasion and intergalactic war.

Dallas web designer Cameron Harrison’s dating experiences after the death of his beloved wife haven’t exactly been promising. Close to giving up on the dating scene entirely, he tries one last (“verging on desperate”) move by joining an online dating site. His first date with Toni Morgan seems to be going well until she offhandedly remarks, “It’s just weird being on another planet.” She informs Harrison that she’s from the planet Cala and that she’s vacationing on Earth in a cloned human body that she calls her “ride” (“‘When one of your people dies, we use the DNA from the body to build,’ she gestured to herself, ‘one of these. We only use people who have chosen to be burned’”). Evidently, Calaians have been coming to Earth for centuries to experience the human condition in all its glory—the impressive range of emotions and the sensory experiences, including the “provocative” sex. Harrison finds himself falling in love with the seductive alien, but on a trip to Rome, the couple is attacked and almost killed. Harrison begins to realize that Morgan’s story about being on vacation is just the beginning of a much more complex personal history: Morgan’s family is prominent on her home world and involved in some sort of contentious social and political upheaval. Her father was murdered because of his beliefs, and now a group of radicals have followed Morgan to Earth and are attempting to kill her as well. Matters become even more complicated when Harrison’s body and mind are essentially upgraded with highly advanced alien tech (“I’m fricking Superman!”) and he discovers that the Calaians aren’t the only visitors on the planet.

Many praiseworthy literary elements power this story—including deep character development, a great initial hook, relentless pacing, and an intricate plot—but it’s the witty narrative voice that makes the novel so readable: “Just two weeks ago I was a nobody web designer, making a decent living doing sites for start-ups. My biggest concern had been where to have dinner. Now, I was up to my ass in an intergalactic political war with alien tech shoehorned into my skull.” Additionally, the utilization of humor—especially when focusing on the language barrier between Harrison and Morgan—is laugh-out-loud funny in places. When Harrison tells Morgan that he thinks she’s hot, she feels her forehead and replies, “I am? I don’t feel warm.” The prose is fluid and clean, making for an undeniable page-turner of a read. Black’s subtle use of imagery makes a simple description memorable: “A silver cocktail dress hugged her athletic body like foil on a chocolate bar.” The thematic resonances are profound, with the fascinating dynamic between a human and an alien connecting on a deeper level exemplifying the values of love (compassion, forgiveness, kindness), regardless of corporeal form.

A wildly entertaining SF adventure about the life-changing (and world-altering) power of love.

Pub Date: Dec. 1, 2023

ISBN: 9780972600712

Page Count: 462

Publisher: Novel Instincts

Review Posted Online: Jan. 29, 2024

Kirkus Reviews Issue: March 15, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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STARTER VILLAIN

Fun while it lasts but not one of Scalzi’s stronger books.

Some people are born supervillains, and others have supervillainy thrust upon them.

Charlie Fitzer, a former business journalist–turned–substitute teacher, is broke and somewhat desperate. His circumstances take an unexpected and dangerous turn when his estranged uncle Jake dies, leaving his business—i.e., his trillion-dollar supervillain empire—to Charlie. Charlie doesn’t really have the skills or experience to manage the staff of the volcano lair, and matters don’t improve when he’s pressured to attend a high-level meeting with other supervillains, none of whom got along with his uncle. With the aid of his uncle’s No. 1, Mathilda Morrison, and his cat, Hera (who turns out to be an intelligent and typing-capable spy for his uncle’s organization), Charlie must sort out whom he can trust before he gets blackmailed, blown up, or both. This book serves as a follow-up of sorts to Scalzi’s The Kaiju Preservation Society (2022) in that both are riffs on genre film tropes. The current work is fluffier and sillier than the previous novel and, indeed, many of Scalzi’s other books, although there is the occasional jab about governments being in bed with unscrupulous corporate enterprises or the ways in which people can profit from human suffering. This is one of many available stories about a good-hearted Everyman thrust into fantastical circumstances, struggling to survive as a fish out of water, and, while well executed for its type, the plot doesn’t go anywhere that will surprise you.

Fun while it lasts but not one of Scalzi’s stronger books.

Pub Date: Sept. 19, 2023

ISBN: 9780765389220

Page Count: 272

Publisher: Tor

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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