by Paul Brakke ‧ RELEASE DATE: Jan. 10, 2018
A thorough and innovative look at a burgeoning national problem.
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A book calls for the reform of the American criminal justice system.
The United States has the highest incarceration rates in the world and a prison system that annually imposes unsustainably astronomical costs. Even worse, Brakke (The Price of Justice in America, 2016, etc.) argues, the social costs of its dysfunction are devastating. Families are financially ruined and torn asunder by emotional distress; children are forced to grow up without their fathers; and a toxic prison culture contributes to skyrocketing rates of criminal recidivism. The author investigates the issue from a myriad of broad perspectives, thoughtfully discussing prosecutorial and judicial dereliction, police misconduct, and systemic problems like a plea-bargaining system that unfairly disadvantages poorer defendants. He excoriates the failed war on drugs, not only for its role in filling prisons with nonviolent offenders saddled with indefensibly punitive sentences, but also for its pervasive racial bias. Furthermore, Brakke blames sensationalist journalism for irresponsibly depicting defendants as guilty irrespective of the available evidence and for fanning the already hot flames of racial tension. In his passionate and meticulous book, Brakke prescribes numerous, detailed solutions to these nagging problems, including a greater emphasis on rehabilitation in prison, increased judicial discretion with respect to sentencing, and a standardized system for training police officers in the use of deadly force. Some of his suggestions are not only familiar, but also widely practiced; for example, equipping police officers with cameras to encourage better behavior. But he also offers intriguingly novel ones, like establishing separate courts for urban, suburban, and rural areas and promoting a more sensitive, localized approach to law enforcement while neutralizing the prejudices upper-class citizens harbor about inner-city life. Some of his more controversial judgments could use more empirical substantiation; for example, Brakke claims that, with respect to the media, “liberal racial bias seems to target whites.” But the study is generally rigorous and evenhanded and makes an admirable effort, in plainly readable prose, to consider opposing sides on any given issue. His measured tone is especially notable when discussing particularly contentious topics like the police use of stop-and-identify to canvass for criminal suspects.
A thorough and innovative look at a burgeoning national problem.Pub Date: Jan. 10, 2018
ISBN: 978-1-947466-34-0
Page Count: 142
Publisher: American Leadership Books
Review Posted Online: Jan. 18, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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