RUNNER'S PATH

In Breen’s debut mystery, an unsolved college-town murder gets a fresh look from an unlikely investigator.

It’s 1998 in Madison, Wisconsin—two years after college student and cross-country scholarship runner Andie Sheridan disappeared during a team outing only to be found days later in a shallow grave. Seamus O’Neill, a local rock musician who was never in it for the money (a good thing, because it never came), now works in a noninvestigative capacity for the Ryder Detective Agency, completing background checks and troubleshooting computer issues. When someone who knew Andie offers to hire the agency to find the killer that the cops couldn’t, O’Neill gets involved in the investigation. When he’s not on the case, he plays accordion and guitar in his shabby efficiency apartment, drinks, and woos women, who find him quite attractive. However, the heavy-drinking O’Neill knows that any woman who falls for him will leave after she realizes that he enjoys having a bottle more than having a girlfriend. However, the Sheridan case gives O’Neill a new focus. As a former runner, he relies on his knowledge of the sport and his creative instincts to determine how Andie could have disappeared midrun, why she was buried near the course but not close to where she was last seen, and how suspects’ alibis may not be as airtight as they seem. Mystery fans will be attracted to the puzzle of what appears to be an unsolvable murder. O’Neill is an intriguing antihero, aware of his foibles but unwilling to let go of them. Breen’s depiction of college-town life is convincing. Repetition does stumble in, particularly in descriptions of Andie’s final run. There are some fresh turns of phrase, as when someone says that Andie would hang with a pack of girls while at a bar in order to “dust guys away.” Discussion of the Madison and Chicago music scenes add dimension; the author also gets bonus points for a Steve Earle mention.

An entertaining whodunit about running on empty.