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DUEL WITH THE DEVIL

THE TRUE STORY OF HOW ALEXANDER HAMILTON AND AARON BURR TEAMED UP TO TAKE ON AMERICA'S FIRST SENSATIONAL MURDER MYSTERY

A rousing tale of the longest murder trial to that date in Manhattan, and the author’s conjecture as to the true villain is...

Ostensibly the tale of a dramatic murder trial with three famous defense attorneys, “the first fully recorded murder trial in U.S. history,” but actually more of an intriguing exploration of Manhattan in 1799.

Collins (The Murder of the Century: The Gilded Age Crime that Scandalized a City and Sparked the Tabloid Wars, 2012, etc.) ably brings New York to life; this would be a great reference book for authors looking for site descriptions. The author’s New York is a fascinating place, one that only covered the southern tip of Manhattan and still had no potable water. The Manhattan Company was commissioned to build a pipeline, and those involved in it were major players on both sides of the crime: the murder of a Quaker woman, Elma Sands. There are many characters in the book, and it takes some time before we can identify the victim and suspect. The defense attorneys, Alexander Hamilton, Aaron Burr and Henry Brockholst Livingston, don’t appear until halfway through the book. The question of how the plaintiff, a mere carpenter, could afford such a dream team may have something to do with the suspect’s builder brother, who happened to hold past-due notes from Burr and Hamilton. Once the trial begins, the narrative truly takes off, as Collins reveals the immense talents of the three attorneys. The story is an interesting view of the new nation struggling to establish its own judicial system, but there’s too much extraneous information, such as the life stories of peripheral characters and criminal backgrounds of those who shared the jail with the accused.

A rousing tale of the longest murder trial to that date in Manhattan, and the author’s conjecture as to the true villain is spot-on—but he should have focused more on the trial.

Pub Date: June 4, 2013

ISBN: 978-0-307-95645-3

Page Count: 288

Publisher: Crown

Review Posted Online: March 27, 2013

Kirkus Reviews Issue: April 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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