Busy, but at least there’s a death ray
A pair of teen detectives bops between London and Cairo in a steampunk adventure that would probably make a better movie than it does a book.
Octavia Nightingale and Sebastian Tweed return in this sequel to The Lazarus Machine (2012), solving mysteries in a Victorian London jam-packed with automatons powered by human souls and carriages running on Tesla turbines. Their search for Octavia’s kidnapped mother entangles them in a larger mystery, with missing scientists and Egyptophile cultists around every corner. Each solved puzzle reveals a further complication: traitors, lizard people, rocket launchers—even a secret world. Perhaps the number of threads is too many to keep under control; some characters are dropped abruptly, while one major arc comes to a character-building ending without ever developing through a beginning or middle. The overall mystery is impenetrable, but the set dressing of “vacuum tubes and wiring...tools and gears, clocks, glass beakers filled with strange liquids, and disassembled automatons” makes the right backdrop for a novel that climaxes with an airship-vs.-ornithopter dogfight over London. Purists take note: Among the myriad errors and inconsistencies are copious anachronisms detracting from the Victorian feel.
Busy, but at least there’s a death ray . (Steampunk. 15-17)Pub Date: Oct. 15, 2013
ISBN: 978-1-61614-857-7
Page Count: 295
Publisher: Pyr/Prometheus Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK REVIEW
BOOK REVIEW
Best leave it at maybe so.
Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.
Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.
Best leave it at maybe so. (Romance. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-0-06-293704-9
Page Count: 448
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 16, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Faults aside, this supernatural mystery will appeal to fans of the genre, and the story’s conclusion leaves wide the door...
If you knew something bad was going to happen, would you try to change the future?
Charlotte Westing is an Oracle, and as such, she must follow three rules: never to reveal herself as an Oracle to non-Oracles; never to give in to the visions; and if a vision gets through, never to try to change the future. At age 6, Charlotte broke the third rule, costing her father his life. Ten years later, a stronger-than-normal vision breaks through 16-year-old Charlotte’s carefully constructed psychic defenses, foretelling the murder of a classmate. Charlotte wants to act, but she is too late. After a second ominous vision, she warns the potential victim, but it’s no help. As visions of the dead increase, and the bodies start piling up, Charlotte must decide whether to break all the rules in order to stop a serial killer and save lives. Oddly, the Sisters of Delphi seem disinclined to intervene in Charlotte’s rule breaking, but perhaps official consequence is being saved for sequels. The story is sometimes predictable and goes a bit too fast in places—readers will quickly lose track of visions and victims—but it’s full of gripping tension, and Charlotte is a self-aware and likable narrator, determined to use her powers for good.
Faults aside, this supernatural mystery will appeal to fans of the genre, and the story’s conclusion leaves wide the door for possible future installments. (Supernatural thriller. 15-17)Pub Date: April 29, 2014
ISBN: 978-0-06-199903-1
Page Count: 352
Publisher: HarperTeen
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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