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PYRAMID LAKE

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A sci-fi thriller in which a scientist struggles to protect his supercomputer while people at a Nevada facility are being killed.

Dr. Trevor Lennox is happy to get more funding from the Defense Advanced Research Projects Agency for his computer lie detector known as MADRID, which stands for Machine-Aided Deception Recognition and Intent Detection. But when he’s assigned a co-lead named Cassie, he believes that DARPA has aspirations to boot him from the Pyramid Lake compound. And this is only the start: Scientists are murdered, his colleagues may be spying on him, and Trevor breaks protocol by using the artificial intelligence of his supercomputer, Frankenstein, to help his 7-year-old daughter, Amy, whose school fears that she may be troubled psychologically. After his ecological thriller (New Year Island, 2013), Draker has based his new novel in sci-fi, but he dabbles in multiple genres, including action and espionage, as even Trevor tiptoes around the facility at night and surreptitiously peruses others’ hard drives. Trevor is an alluring protagonist, both a genius with a doctoral degree and a physically adept fighter, most noticeably displayed when a man at a bar gives him grief for his apparent “geek” status; the man is a bloody mess after Trevor is finished with him. The murders unfold in the style of a whodunit as Trevor acquires a growing distrust of fellow scientists Blake, Kate and Roger, each with his or her own project. His relationships are deliciously complicated: He initiates a romance with Cassie but clearly still loves his ex-wife, Jen, and he verbally debases Roger, whom he considers a friend. Frankenstein progressively becomes more humanlike while retaining his automaton qualities—Trevor gets updates via his customized iPhone, which eventually sound like telephonic conversations, complete with Frankenstein’s whirring server fans’ eerie resemblance to a person breathing. The story ultimately hits recognizable terrain, and a few readers may predict its route, but the author’s voice is fresh, and numerous scenes, like a hilarious parody of the 1931 film Frankenstein, when Trevor sets himself up with Internet access during a storm, are welcomely outlandish. A familiar sci-fi tale but one that Draker paints in his own profound and original colors.          

 

Pub Date: Dec. 13, 2013

ISBN: 978-1940511061

Page Count: 426

Publisher: Mayhem Press

Review Posted Online: Jan. 20, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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