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NOTORIOUS SAN FRANCISCO

TRUE TALES OF CRIME, PASSION AND MURDER

A lighthearted, informative take on rather grim events.

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A debut set of true crime essays explores San Francisco’s dark side.

Drexler wrote the column “Notorious Crooks” for the Sunday San Francisco Examiner from 2014 to 2018 and runs walking tours of the area’s crime hot spots. In this work, he collects bizarre, seedy tales of notorious culprits and unsolved mysteries, covering a century from the 1870s through the 1980s. The infamous characters surveyed include Juanita “Duchess” Spinelli, a “modern-day Fagin” who ran a crime school and was “the first woman to be executed in California”; obese “gambling czar” Elmer “Bones” Remmer; and Dorothy Ellingson, who in 1925 killed her mother for threatening to send her to reform school—her insanity plea failed. The press blamed cars and music for the 16-year-old’s degeneracy, branding her a “Jazzmaniac.” Drexler takes readers on a sprightly tour through the car thefts and holdups of the Terror Bandits, attempted jailbreaks (both Folsom Prison and San Quentin are in the general vicinity), murders, and more. The stories of female criminals feel less familiar and thus tend to stand out, especially those of Inez Burns, an abortionist who performed as many as 30 procedures a week and was rumored to have had Rita Hayworth as a patient, and Sally Stanford, who ran a speak-easy and then a brothel. The disparity in how these two women fared says something about the shifting morality of the 20th century. While Burns, whose services had formerly been considered a “necessary evil,” was indicted in 1946, serving two years in prison and paying hundreds of thousands of dollars in back taxes, Stanford went on to run for the Sausalito City Council (she won on her sixth attempt) and was later elected mayor. A longer, final section deftly focuses on the Zodiac Killer case, which Drexler (who has appeared on television as an expert on the crimes) calls “the most famous unsolved murder mystery of modern times.” The author makes good use of primary sources such as court transcripts, providing an appropriate level of detail that never seems gratuitous or overly sordid. Black-and-white photographs are provided for many of the historical figures discussed.

A lighthearted, informative take on rather grim events.

Pub Date: June 15, 2019

ISBN: 978-1-987902-55-6

Page Count: 225

Publisher: RJ Parker Publishing

Review Posted Online: May 3, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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