A capital rogues-to-riches entertainment—with precious little sex or violence but a wealth of inside information on...
Erdman (The Swiss Account, The Palace, etc.) makes a welcome return to form with a blue-chip tale of high finance and low cunning in the post-Milken era.
Released from a Club Fed after having served half of a six- year sentence for stock-parking offenses, charismatic Willy Saxon heads (by limo) to San Francisco to make a covert comeback in the investment business, from which the SEC has barred him for life. With a little help from friends he refused to betray to government prosecutors, plus a $60-million stash in Liechtenstein, well- connected Willy becomes a silent partner in both a Bay Area brokerage house and a regional credit-rating agency. Saxon also recruits a motley crew of computer freaks, white-collar felons, and out-of-work scientists to launch a world-class trading operation at a well-appointed ranch he's purchased in the neighboring wine country. When institutional demand for the ingenious derivatives developed by his nerds proves brisk, Willy has to obtain them more capital. He gets it by placing zero-coupon municipal bonds (ostensibly underwritten and graded for obscure California cities by his captive firms) with trusting money managers who file and forget the debt in billion-dollar portfolios. Since tax-exempt obligations of this sort are sold at a discount and pay no interest until redeemed at face value at maturity, Saxon has undisturbed use of the vast sums the bogus issues yield. Before long, adversaries on both sides of the law begin to suspect a scam. While they're closing in, however, wily Willy's outcast prodigies engineer a killing in the currency market, which gets their employer more than even and ensures appropriate retribution for the perfidious villains of the piece.
A capital rogues-to-riches entertainment—with precious little sex or violence but a wealth of inside information on fiscal chicanery.Pub Date: Oct. 1, 1993
ISBN: 0-312-85380-7
Page Count: 320
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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