by Paul Fleischman ‧ RELEASE DATE: Aug. 1, 2003
Life begets art begets life: “It’s fiction. Meaning autobiography seen through weird, wavy glass.” So says playwright/performer Elena Franco to an interviewer minutes before her one-woman play Breakout is to premiere. That statement becomes the key to understanding this richly layered musing on the forging of identity. Cut from the interview to a scene some years earlier: 17-year-old Del has just faked her own death in order to escape her deadening life with the latest in a series of foster parents; she is recklessly optimistic, until a mammoth, LA-sized traffic jam brings her literally screeching to a halt. From these beginnings, the text moves back and forth from Elena’s play to Del’s enforced idleness, the former finding its seeds in the latter in an acutely artful comment on the parallels between the creation of art and identity. Fleischman presents in Del a character with no identity, a multiracial orphan whose gift for mimicry becomes first a desperate search for protective coloration, which becomes, in the end, a defiant embrace of her own uniqueness. A stunning tour de force. (Fiction. YA)
Pub Date: Aug. 1, 2003
ISBN: 0-8126-2696-6
Page Count: 128
Publisher: Cricket
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2003
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by Paul Fleischman ; illustrated by Hannah Salyer
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by Paul Fleischman ; illustrated by Melissa Sweet
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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