by Paul Fuller ‧ RELEASE DATE: Feb. 23, 2016
Despite its flaws, this work delivers a well-deserved tribute to a group that’s been abused and overlooked; the volume...
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An academic traces the contributions of African-Americans to the United States and the world.
Fuller (Black Methodists in America, 2012, etc.), a retired professor of sociology and African- American studies, tries to set the record straight about a group “dismissed as insignificant to a nation” that it “helped to create.” After endorsing theories about pre-Columbian African forays into America, he spells out blacks’ achievements chronologically and by category. These include Africans who accompanied early Spanish and Portuguese explorers as well as a colorful cast of black cowboys and others who helped open up the American West. His list of blacks in the military ranges from Crispus Attucks, the first patriot killed in the American Revolution, to Gen. Colin Powell. Contributions to the economy include not only the free labor extracted for centuries from slaves, but also the bright ideas of African-Americans who Fuller claims invented everything from pencil sharpeners to refrigerators. Outsized contributions by American blacks in the arts and sports include the obscure, such as the writer William Wells Brown and black jockeys in the 19th century, as well as the famous, such as Jackie Robinson and Alice Walker in the 20th. Fuller also catalogs blacks’ contributions to cooking, language, and other aspects of modern American culture. He chronicles efforts in education and addresses a long history of advancing civil rights, which, Fuller avers, benefited other groups, such as women, more than blacks. The author has written an important but uneven book. In tone and content, it seesaws from the magisterial to the dubious. Though he provides an encyclopedic account of blacks’ contributions, including many relatively unknown persons and events, Fuller undercuts his narrative with a labored writing style, weak sources, and pedantic asides, such as noting that New Orleans is “a southern U.S. city” and instructing readers about what’s “rather interesting.” Liberal use of passive verbs (“attention will be given,” for example) makes for flabby prose. Relying too often on debatable websites, including Wikipedia, Yahoo Answers, and eHow, Fuller needs better sources to back his more contentious claims, especially in his chapters on inventions and pre-Columbian exploration of America. Given the huge cast of characters, events, and places, an index would be welcome.
Despite its flaws, this work delivers a well-deserved tribute to a group that’s been abused and overlooked; the volume should be useful for scholars and others seeking particular people, places, and themes for their research.Pub Date: Feb. 23, 2016
ISBN: 978-1-5186-8842-3
Page Count: 460
Publisher: CreateSpace
Review Posted Online: Sept. 9, 2016
Review Program: Kirkus Indie
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by Paul Fuller
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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