by Paul Fussell ‧ RELEASE DATE: Sept. 16, 2003
A bracing corrective for a literature recently dominated by Ambrose, Brokaw, and other cheerleaders, and just right for a...
Brief, wholly memorable essays—sometimes little more than vignettes—on a season in hell.
Not for literary historian and combat veteran Fussell (Veterans, 2002, etc.) all this talk of “the greatest generation” and the mawkish military romanticism that has settled on WWII: the young men, many scarcely more than boys, who fought against the formidable German enemy in places like Normandy and the Hürtgen Forest were a “reluctant draftee army,” their deeds usually less heroic than desperate. Building on his fine memoir Doing Battle (1996), Fussell explores the lives and actions of those boys, “who bitched freely, but seldom cried, even when wounded.” Among the themes he explores, at the length of a few pages or paragraphs, are the widespread dislike for the young Americans among British civilians, who famously complained that they were “overpaid, oversexed, and over here,” and even among the liberated French, “who didn’t at all appreciate the immense black market in Paris run by over two thousand American deserters”; the extraordinary, and underreported, rate of desertion among those boys, traumatized by battle settings straight out of the Grimm Brothers and the constant presence of ignoble death; the carnage of battle in places like the Falaise Pocket, where, Dwight Eisenhower recalled, “It was literally possible to walk for hundreds of yards, stepping on nothing but dead and decaying flesh” (to which Fussell, ever the curmudgeon, adds, “And Eisenhower is gentleman enough not to offend . . . by dwelling on the smell”); and the general insanity of war and its fighters, torn between the “quite contradictory operations” of trying to kill some people with the greatest efficiency while trying to save others to the same high standards. Throughout, Fussell writes vividly and sardonically, sounding like the spiritual twin of Kurt Vonnegut at some points and an aggrieved Julius Caesar at others, and painting extraordinary scenes at every turn.
A bracing corrective for a literature recently dominated by Ambrose, Brokaw, and other cheerleaders, and just right for a new season of war.Pub Date: Sept. 16, 2003
ISBN: 0-679-64088-6
Page Count: 192
Publisher: Modern Library
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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