THE DISSIDENT

Viktor Moroz, an engineer and well-known Jewish refusenik in mid-1970s Moscow, is offered a Faustian bargain by the KGB after he is seen fleeing a murder scene.

Viktor has discovered the dead bodies of his friend Albert Schwartz, a gay human rights activist and provider of goods and services, and a U.S. official with suspected ties to the CIA. They have both been killed with an ax. If he finds the murderer, Viktor will be allowed to leave the USSR along with his new wife, Oksana, a teacher and clandestine publisher. If he refuses to collaborate with the KGB, he will be put on trial for the murder himself—not a look the state wants with U.S. Secretary of State Henry Kissinger soon arriving for nuclear talks. Viktor knows that the better naysayers like him are known in the West, the less likely it is they will be arrested. But he also is familiar with the documented theory that people who are threatened with prosecution in an antisemitic case like his “will eventually prevail.” The book is populated by spies, intellectuals, dissidents, diplomats, and others with secret lives including Madison “Mad Dog” Dymshitz, the shifty young Moscow bureau chief of an American newspaper, and Mikhail Kiselenko, a Russian Orthodox priest of Jewish descent. The Master and Margarita, The Cherry Orchard, and the samizdat literary movement play major roles here, as does The Laws of Jewish Life, a Canadian do-it-yourself guide to Judaism. The book sometimes bogs down in dialectics and broadsides: “Kissinger is about Kissinger. Kissinger would not have stood in the way of the Nazis throwing Jews in concentration camps, his own grandparents included.” But this is another strong performance by Goldberg—after The Yid (2016) and The Chateau (2018)—a master at dissecting divided souls.

A smart, satirically streaked novel.