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SECOND LIFE

A near miss about the secret underground of body brokers.

A woman who knows far more than most about what lies beyond death must use her specific skill set to recover the body of a childhood friend.

This highbrow thriller by Griner (Creative Writing/Univ. of Louisville; The German Woman, 2009, etc.) aims to mimic Cormac McCarthy’s severe (and quotation markshunning) style but ultimately falls somewhere between the gruesome science of Mary Roach and the grim despair of Joe Connelly’s Bringing Out the Dead (1998). The narrator is Elena Kelly, a coroner’s assistant in Danville, Kentucky, who slowly reveals her sins even as she attempts to right a wrong. When Lia Stefanini, her best friend from childhood, dies in a car accident—and is the victim of mistaken identity to boot—Elena promises Lia’s mother that she'll recover her body so she can be properly put to rest. It turns out that Elena once had a lucrative trade in “corpse wrangling”—stealing bits and pieces of the human body to sell to unethical organ traders and the like. “Tibias first, then the fibula, long and lean and lucrative, and the spine, the spine, the golden spine, which, as you ran your fingers up the knobs of some stray companion, making your temporary bedmate shiver, made it nearly impossible not to calculate cost and profit, or how you’d peel their skin and bag it, since those long, smoked-salmon colored strips of skin came at such a premium, $1,000 per square foot,” Griner writes. Most of the novel plays out this way, with lyrical descriptions of the grotesque and the short, sharp shock of violence punctuating the scenes. Eventually Elena hooks up with Amed, a charming but ultimately unethical morgue worker, who leads her finally to the book’s proper villain. It’s an ugly concept that attempts to fold reportage into poetry. The result here is too dry to be pulp and too cartoonish for its literary aspirations.

A near miss about the secret underground of body brokers.

Pub Date: Jan. 13, 2015

ISBN: 978-1-61902-480-9

Page Count: 304

Publisher: Soft Skull Press

Review Posted Online: Nov. 2, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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