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THIS OTHER EDEN

A moving account of community and displacement.

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Harding’s third novel revisits an appalling moment in Maine history.

Early in the 20th century, the racially diverse residents of a small island community in Maine were evicted and displaced. The local authorities who carried out this task on Malaga Island cited science as one of their motivations—but what they called science is now obvious as eugenics, and these nominally lawful actions are now seen for what they truly were: a crime. Harding’s novel draws from this history, and its epigraph from the Maine Coast Heritage Trust gives the broad outline of what the reader can expect. But Harding is after something bigger here, using this fictionalized version of history both to comment on the interconnectedness of various coastal communities and to explore the ephemeral qualities that can be lost when regarding historical events from decades away. Harding focuses on different characters over the course of the novel, including a young man named Ethan Honey, the descendant of a former slave, whose artistic skills offer the promise of a better future; Esther Honey, Ethan’s mother, who grapples with her own haunted family history and possesses a stunning knowledge of all things Shakespearean; and the well-intentioned retired White schoolteacher Matthew Diamond, who begins the novel “oblivious to the greater, probably utter, catastrophe” his presence is going to spark but finds unexpected moral reserves. As these characters find themselves rethinking their places in the world, Harding summons up lyrical sheets of prose, including one of the most evocative descriptions of a lobster dinner you’re likely to encounter. He has an eye for a striking image, as when Ethan is painting: “Put the haystacks in the sky, bristling and sharp, rasping across the lowering blue.” It’s a brief book that carries the weight of history.

A moving account of community and displacement.

Pub Date: Jan. 24, 2023

ISBN: 978-1-324-03629-6

Page Count: 224

Publisher: Liveright/Norton

Review Posted Online: Oct. 26, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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