Whether the book can remedy that situation is unknown, as well, but as informed opinion, it’s very satisfying.
Slender character study of “one of the outstanding monsters civilization has yet produced.”
Noted historian and biographer Johnson (Mozart: A Life, 2013, etc.) should not be expected to write anything but a condemnation of the Soviet dictator, and so he has—not that Stalin has many defenders these days and certainly not among the intelligentsia. However, the author finds a few kind things to say: Stalin was an accomplished letter writer and voracious reader whose personal library encompassed 20,000 volumes, and he could be charming when he wished. Even so, Stalin was, of course, not a good man: His wife killed herself, a son drank himself to death, a daughter defected to the West, and countless millions of Soviet citizens and their neighbors died. Stalin would doubtless call those people “problems,” for which, Johnson writes, he had a formula: “These were problem men, and death solves the problem. No men, no problem.” Like all tyrants, Stalin was afraid of his own shadow: Even as fully half a million Soviets were devoted to serving as his guard, toward the end of his life, despising the “Jewish doctors” who surrounded him, he ate little but hard-boiled eggs with the thought that they were one of the few foods that could not be poisoned. He also succeeded in creating “a society in which everyone was afraid,” from the lowliest street-sweeper to his closest lieutenant. A monster indeed and one with whom history has yet to fully reckon, a task that this too-brief book can only begin to address. Johnson writes that his impetus for writing this short study of Stalin is that “among the young, he is insufficiently known.”
Whether the book can remedy that situation is unknown, as well, but as informed opinion, it’s very satisfying.Pub Date: Feb. 11, 2014
ISBN: B00E3E4XNO
Page Count: 160
Publisher: Amazon/New Harvest
Review Posted Online: Jan. 4, 2014
Kirkus Reviews Issue: Jan. 15, 2014
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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