by Paul Johnson ‧ RELEASE DATE: Feb. 11, 2014
Whether the book can remedy that situation is unknown, as well, but as informed opinion, it’s very satisfying.
Slender character study of “one of the outstanding monsters civilization has yet produced.”
Noted historian and biographer Johnson (Mozart: A Life, 2013, etc.) should not be expected to write anything but a condemnation of the Soviet dictator, and so he has—not that Stalin has many defenders these days and certainly not among the intelligentsia. However, the author finds a few kind things to say: Stalin was an accomplished letter writer and voracious reader whose personal library encompassed 20,000 volumes, and he could be charming when he wished. Even so, Stalin was, of course, not a good man: His wife killed herself, a son drank himself to death, a daughter defected to the West, and countless millions of Soviet citizens and their neighbors died. Stalin would doubtless call those people “problems,” for which, Johnson writes, he had a formula: “These were problem men, and death solves the problem. No men, no problem.” Like all tyrants, Stalin was afraid of his own shadow: Even as fully half a million Soviets were devoted to serving as his guard, toward the end of his life, despising the “Jewish doctors” who surrounded him, he ate little but hard-boiled eggs with the thought that they were one of the few foods that could not be poisoned. He also succeeded in creating “a society in which everyone was afraid,” from the lowliest street-sweeper to his closest lieutenant. A monster indeed and one with whom history has yet to fully reckon, a task that this too-brief book can only begin to address. Johnson writes that his impetus for writing this short study of Stalin is that “among the young, he is insufficiently known.”
Whether the book can remedy that situation is unknown, as well, but as informed opinion, it’s very satisfying.Pub Date: Feb. 11, 2014
ISBN: B00E3E4XNO
Page Count: 160
Publisher: Amazon/New Harvest
Review Posted Online: Jan. 4, 2014
Kirkus Reviews Issue: Jan. 15, 2014
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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