Shrewd, witty, informed essays that are much needed in our anti-intellectual age.
Penetrating analyses of urgent, controversial problems.
Krugman (Economics/City Univ. of New York; End This Depression Now!, 2012, etc.), winner of the Nobel Memorial Prize in Economic Sciences, gathers more than 90 articles, most from his New York Times columns, lucidly explaining often confounding economic issues. Prefacing each of 18 sections with a cogent overview, the author takes on topics that include social security, health care, the 2008 financial crisis and its aftermath (essays that comprise more than a third of the book), the myths of austerity, Europe’s economic problems, tax cuts, trade wars, inequality, climate change, and, not least, the damage being inflicted by Donald Trump and his enablers. Many of the pieces are hard-hitting arguments against zombie ideas, “an idea that should have been killed by evidence, but refuses to die.” Zombie ideas, Krugman asserts, are put forth by “influential people” who “move in circles in which repeating” such ideas “is a badge of seriousness, an assertion of tribal identity.” Alternatively, ideas such as climate change denial, which persist despite prolific evidence, are “better described as cockroach ideas—false claims you may think you’ve gotten rid of, but keep coming back.” There are plenty of villains in Krugman’s crosshairs: the “anti-labor” extremist Brett Kavanaugh, “flimflam man” Paul Ryan, Mitch McConnell, Bernie Madoff, George W. Bush and his “fraudulent march to war,” and Ronald Reagan, to name a few. Many essays focus on the current president. “It’s not just that Trump has assembled an administration of the worst and dimmest,” writes the author. “The truth is that the modern GOP doesn’t want to hear from serious economists, whatever their politics. It prefers charlatans and cranks, who are its kind of people.” Krugman is a serious economist who detailed his intellectual focus and style in a 1993 essay, “How I Work.” He cites four rules that guide his research: listen to intelligent views; question the question; “dare to be silly”; and “simplify, simplify.” All serve him—and his readers—admirably.
Shrewd, witty, informed essays that are much needed in our anti-intellectual age.Pub Date: Jan. 28, 2020
ISBN: 978-1-324-00501-8
Page Count: 416
Publisher: Norton
Review Posted Online: Sept. 24, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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