A nice portrait of life on the make, with a genuine, gritty feel and some memorable characters, but Lyons (Going for Broke,...
Sprawling account of a small-time gambler who hustles his way through the long, hot summer of 1988.
Like all gamblers, Hawk thinks he can beat the odds and refuses to learn when experience teaches otherwise. Now more than ten grand in debt to loan shark Armand, Hawk still thinks he can clear the books when his number comes in. He’s had big ambitions ever since he met Sammy, an old-school New York hustler who showed him one election year how he could make more money hawking campaign buttons in a day that he made as a pizza boy in a whole week. That was during the Nixon administration, and now Hawk is heading down to Atlanta for the convention that’s going to nominate Michael Dukakis. He’s under the gun, all right: Armand’s goon, Mr. Skinhead, has already cut off one of Hawk’s toes, with a promise of more to come if he misses his next payment. But there’s positive encouragement too, in the form of his new girlfriend Carla, a nubile neon-sign artist with a quick wit and a little girl from her old marriage. Hawk is still deep in the red after Atlanta, so he looks to the Republican convention in New Orleans to make up the difference. Meanwhile, Carla’s sleazy ex-husband Nelson has found out about her affair with Hawk and has begun stalking her. And Hawk’s old mentor Sammy is in the hospital for heart surgery. So Hawk has plenty of worries beside his own. After the convention, all the loose ends of Hawk’s life come back together in New York, where a gangland battle in one stroke solves most of his problems—but not all.
A nice portrait of life on the make, with a genuine, gritty feel and some memorable characters, but Lyons (Going for Broke, 1991, etc.) tries to put in a bit too much 1980s history, and the story rambles more than it needs to.Pub Date: July 1, 2004
ISBN: 1-59228-409-4
Page Count: 192
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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