SUMMER AND JULY

Juillet, a Midwest preteen grieving her parents’ breakup, finds a soulmate and discovers surfing in Southern California.

With her mother working at a nearby hospital during their monthlong stay in Santa Monica, Juillet, 12, expects to miss her (one) friend, Fern, back home. Together, they read cult horror fiction and hung out at the mall in goth makeup and attire. In Santa Monica, she meets Summer, a beautiful, blonde surfer girl who’s intrigued by Juillet’s look and delighted to learn Juillet means “July” in French. Friendship quickly follows. Outgoing Summer introduces Juillet to the neighborhood, its denizens, and So-Cal surf culture. Juillet’s smitten with everything, especially Summer herself, who coaxes Juillet out of her comfort zone and onto a boogie board, a skateboard, and, eventually, a surfboard. Though mostly sunny and upbeat, Summer keeps secrets. Why won’t she won’t talk about her family or where she disappears to? The ocean and how Juillet learns to engage with it are the novel’s strengths, vivid and convincing, but not the far-fetched plotting or carelessly written major characters (who are white). While surfing culture is central to both plot and theme, the customs and argot Summer teaches Juillet are dated, feeling as though they’ve been sourced from inauthentic, pop-culture iterations like the 1959 film Gidget. Even as the book ignores Hawaiian surfing history and culture, the surfing meme “Eddie would go,” celebrating legendary surfer Eddie Aikau, appears in an adapted form without attribution or context.

Skip this stale beach read.