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GREEK BONDS AND FRENCH LADIES

A NOVEL

A contemporary story of romance and greed, told with humor and sophistication.

A dramatic tale of secrets and lies set against the backdrop of a devastated Greece.

Love and money are both at risk in Myers’ politically driven novel of intrigue and betrayal. In 2012, Greece is reeling from its economic downturn, and riots rage throughout Athens, threatening the daily lives of its downtrodden inhabitants. The chaos creates unsettling fear and stress for the Greek government but provides an opportunity for Jim Schiller, a hedge fund investor who invests in the promise of a financial bailout. He travels to Paris, where he conspires with the beautiful, mysterious Sophie d’Auverne, a former financial adviser with strong connections to the inner workings of international finance. She promises him that the bailout is a sure thing and that his investment will make him a billionaire—but the bailout turns out to be as elusive as Sophie herself. As Jim waits for the return on his investment, he’s ambushed by two Russian men who seem to know details of his personal life. They insist that Jim knows the whereabouts of a crucial but mysterious document, and Jim soon discovers that it’s a leaked list of tax evaders throughout Europe, which threatens to overturn the bailout. Jim must find this list or he stands to lose far more than just his financial stability. This layered tale of romance, mystery and suspense reads like a tapestry of fact and fiction; as it outlines recent events, it also details the quest of a very determined man who’s also likable and sympathetic. Jim’s stake in the bailout touches on universal themes, including the human need for security and connection. Overall, it’s an exciting read with surprising twists but also a human interest story that’s relatable and timeless.

A contemporary story of romance and greed, told with humor and sophistication.  

Pub Date: Dec. 1, 2013

ISBN: 978-1494325985

Page Count: 242

Publisher: CreateSpace

Review Posted Online: Feb. 7, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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