Inventing a do-nothing slob you can empathize with is a neat trick, but the story’s a bit too slovenly.
Death and misery stalk the antihero of Neilan’s comic debut—and that’s just at the crummy temp gig.
Shane knows a bar whose happy hour begins when most people are taking their first coffee break, but then he’s got the kind of life that’ll prompt a guy to start drinking at 10 a.m.: He’s fully convinced that his upstairs neighbor is carrying on an untoward relationship with his pet guinea pig; his landlord won’t be so pushy about the rent if he’ll sleep with his wife; and his sexual encounters with his girlfriend, Gwen, tend to feel a lot like professional wrestling matches. Oh, and he’s accused of murdering Marlene, a deaf dental hygienist who taught Shane to talk dirty in sign language. Neilan ultimately resolves Marlene’s death but not Shane’s bottomless hatred for himself and the world around him, and the funniest bits have him going metaphorically off the grid—the beer at a party tastes “like kiddie porn,” sex with the neighbor’s wife is “like an off-duty clown swinging two fish together by their tails.” If you can hang with Neilan’s taste in rude jokes and non sequiturs, there’s lots to like: Even if the humiliation of temp-slave life is well-trod ground for comedy writers, Shane’s abjection about alphabetizing files (and worse, his getting congratulated for his fine job of alphabetizing) gets some fresh laughs. But the occasional laugh-out-loud line doesn’t salvage a narrative that never quite jells. Shane’s regularly referenced tic of stealing salt shakers never becomes meaningful in terms of either plot or characterization, and the jokes get more leaden toward the end, as the author is forced to tie together the story’s multiple threads. More than a couple gags at the expense of the mentally retarded don’t do Neilan any favors, but Shane’s never pretended to be polite.
Inventing a do-nothing slob you can empathize with is a neat trick, but the story’s a bit too slovenly.Pub Date: May 2, 2006
ISBN: 0-312-35174-7
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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